At first glance, the United States Holocaust Memorial Museum’s “rejection of ‘analogies between the Holocaust and other events’ might seem like a laudable attempt to affirm the unprecedented character of the mass murder of the Jews of Europe. In fact, it makes conveying the weight of that atrocity impossible, and it releases us from any obligation, as a nation, to self-criticism.”  (The Washington Post, 6/19/19;  The New York Review of Books, 7/1/19; Slate, 7/12/19)

The “house by the lake” in Gross Glienicke has been beautifully restored. It’s now a center for education and reconciliation called the Alexander Haus.  (The Guardian, 6/16/19)

“The story of Ms. Landecker, whose Jewish father was murdered by the Nazis, and Mr. Reimann, whose fervent Nazism and abuse of forced laborers did not stop his family from attaining colossal wealth after the war, is a tale of death and devotion and human contradictions. It is also a tale of modern-day corporate atonement.”  (The New York Times, 6/14/19; The New York Times, 6/14/19)

“We’re witnessing a new intensity of discussions with our visitors”: Present-day anxieties are changing how visitors experience National Socialist concentration camp memorials.  (The Washington Post, 6/26/19)

“We won’t rebuild, we won’t restore, but we will conserve”: the city of Nuremberg has developed a plan for maintaining the ruins of infamous National Socialist rally grounds.  (The Art Newspaper, 5/20/19)

The history of African-Germans in the Third Reich deserves greater attention—too bad the 2018 film Where Hands Touch seems to have missed the mark so widely.  (The Telegraph, 5/9/19; BBC, 5/21/19)

Pioneering photojournalist Gerda Taro was killed in 1937, just days before her 27th birthday, while documenting the carnage of the Spanish Civil War.  (Open Culture, 6/11/19)

“Four elements—the U.S. security guarantee, the international free-trade regime, the democratic wave, and the suppression of nationalism,” writes Robert Kagan, “have together kept the old German question buried deep under the soil.” Ominously, all four are now up in the air.  (Foreign Affairs, May/June 2019)

A new exhibition at the Kunsthalle Rostock recalls the Palast der Republik as “a kind of microcosm of the GDR as one would have wished it to be.”  (The Art Newspaper, 5/31/19; The New York Times, 6/7/19)

A century has passed, and the Weimar Republic is as compelling as ever.  (The Guardian,  5/25/19)

Tim Bouverie’s new history of the road to World War II depicts the evolution of appeasement “from a reactive, fearful policy to an enthusiastic, idealistic project to what can only be deemed a strenuous exercise in willful denial.”  (The Guardian, 4/14/19; The New York Times, 6/4/19)

“Around 30 ‘Judensau’ (Jewish Sow) images still exist in medieval churches around Europe, primarily in Germany…Their intention was to dehumanize Jewish people, provoking scorn and ridicule by associating them with a beast considered impure and dirty.”  (The Art Newspaper, 5/30/19)

“Weimar bureaucrats began exerting ever greater state supervision over radio content to try to depoliticize it.” In News from Germany, Heidi Tworek shows how these attempts to regulate new media didn’t turn out as planned.  (The Washington Post, 4/19/19; The Atlantic, 5/26/19)

A special exhibition at Berlin’s German Historical Museum “is not just about how democracy unraveled in the decade that followed the first Weimar elections in 1919. It is also about whether something like that may again be happening across Europe in 2019.”  (The Guardian, 5/16/19)

“Like the historian Tacitus, Trevor-Roper chronicled the death of a tyranny; and, like the satirist Juvenal, he skewered his victims by making them ludicrous.”  (Spectator, 3/29/19)

“Seventy years in, the success of a united Germany is a story so big that it can be hard to see except at a distance.”  (The Atlantic, 5/8/19)

Tony Rehagen explains how rural German-Americans “somehow forgot what it meant to be immigrants.”  (The Boston Globe, 4/12/19)

The culture ministers from all 16 German states have agreed on a set of guidelines for the restitution of colonial-era artifacts.  (artnet, 3/14/19; The New York Times, 3/15/19)

East Germany was “one of the first countries to allow gay men into its military, an achievement that the United States took twenty-three years to match.” Samuel Clowes Huneke takes a closer look at the pro-gay reforms of the GDR in its final years.  (Boston Review, 4/18/19)

In The Fourth Reich: The Specter of Nazism from World War II to the Present, Gavriel Rosenfeld has written a compelling history of something that never happened.  (New Statesman, 3/13/19; Los Angeles Review of Books, 4/1/19)

The state apartments of the Residenzschloss in Dresden, reconstructed in all their Baroque splendor, will open to visitors in September.  (The New York Times, 3/14/19)

“Why didn’t the correspondents in the thirties see Hitler? Because they thought he was a German Mussolini,” says Daniel Schneidermann, author of Berlin 1933.  (The New Yorker, 3/14/19)

In Time and Power, Christopher Clark examines how Prussian and German leaders “learnt to bend the past to suit the present” in four different centuries.  (New Statesman, 2/13/19; Standpoint, 3/2019)

“Ernst Jünger’s Second World War was less dramatic than his first; it could hardly be otherwise.” Find out more from his journals as an officer in occupied Paris, newly translated by Thomas and Abby Hansen.  (The Washington Post, 1/16/19; New Statesman, 2/20/19)

“Together, the Stolpersteine now constitute the largest decentralized monument in the world.”  (The Guardian, 2/18/19)